A iconografia libertária de Antonio Berni: uma possibilidade de (re)conhecimento para a América Latina
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Data
2017-10
Autores
Bianchini, Talitha Perez
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Resumo
A Arte, em suas diversas linguagens, torna-se elemento integrador,
libertador e de oportunidade de compreensão a povos e indivíduos. Por meio dela,
consegue-se encurtar distâncias e alicerçar paradigmas. A presente proposta tem
como objetivo reconhecer parte da iconografia plástica latino-americana através da
obra de Antonio Berni, artista argentino que, em seu discurso estético, salienta a
desigualdade social na Argentina e conduz à reflexão e à análise dos processos
históricos, sociais e políticos nos países da América Latina com a criação de dois
personagens icônicos e representativos. Utilizando-se de uma contextualização
concisa sobre o processo criativo do artista como fundamentação para uma breve
análise Semiótica – ciência que leva em consideração o estudo e a compreensão
integral das linguagens através dos signos – de sua personagem feminina, Ramona
Montiel, visa-se então levantar pontos relevantes para o reconhecimento e
compreensão de sistemas complexos de linguagens, culturas e sociedades,
considerando as relações entre arte, cultura, história, sociedade e política e
ponderando aspectos humanos, únicos e singulares dentro das epistemologias
latino-americanas. Espera-se com esse estudo identificar novos padrões
iconográficos para a América Latina, bem como apoiar a relevância da formação
estética, esta que auxilia na ampliação e compreensão cultural e social por meio das
artes e que provê elementos de significância ao indivíduo.
Art, in its various languages, becomes an integrating, liberating and opportunistic element of understanding to peoples and individuals. Through it, one manages to shorten distances and to base paradigms. The present proposal aims to recognize part of Latin American art iconography through the work of Antonio Berni, an Argentine artist who, in his aesthetic discourse, emphasizes social inequality in Argentina and leads to the reflection and analysis of historical, social and political processes in the countries of Latin America with the creation of two iconic and representative characters. Using a concise contextualization about the creative process of the artist as a basis for a brief analysis Semiotics - a science that takes into account the study and integral understanding of the languages through the signs - of his female character, Ramona Montiel, is aimed at to raise relevant points for the recognition and understanding of complex systems of languages, cultures and societies, considering the relations between art, culture, history, society and politics and pondering human, unique and singular aspects within the Latin American epistemologies. It is hoped that this study will identify new iconographic patterns for Latin America, as well as support the relevance of aesthetic training, which helps in the expansion and cultural and social understanding through the arts and that provides elements of significance to the individual
Art, in its various languages, becomes an integrating, liberating and opportunistic element of understanding to peoples and individuals. Through it, one manages to shorten distances and to base paradigms. The present proposal aims to recognize part of Latin American art iconography through the work of Antonio Berni, an Argentine artist who, in his aesthetic discourse, emphasizes social inequality in Argentina and leads to the reflection and analysis of historical, social and political processes in the countries of Latin America with the creation of two iconic and representative characters. Using a concise contextualization about the creative process of the artist as a basis for a brief analysis Semiotics - a science that takes into account the study and integral understanding of the languages through the signs - of his female character, Ramona Montiel, is aimed at to raise relevant points for the recognition and understanding of complex systems of languages, cultures and societies, considering the relations between art, culture, history, society and politics and pondering human, unique and singular aspects within the Latin American epistemologies. It is hoped that this study will identify new iconographic patterns for Latin America, as well as support the relevance of aesthetic training, which helps in the expansion and cultural and social understanding through the arts and that provides elements of significance to the individual
Abstract
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Iconografia Latino Americana, Antonio Berni (1905-1981) - artista argentino, Semiótica, Cultura Latino-Americana, Artes Plásticas