Rol Estético y Rol Ético del Repertorio en Los Sistemas de Orquestas: el caso del Sistema de Orquestas infantiles y Juveniles de Jujuy - SOJ
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Data
2018-11-09
Autores
Jaramillo Alemán, Viviana Carolina
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Resumo
La presente disertación organiza un estudio de las facetas anunciadas como objetivos principales de El Sistema de Orquestas Infantiles y Juveniles de Venezuela (El Sistema) en comparación con el Sistema de Orquestas Infantiles y Juveniles de Jujuy (SOJ): 1. Alcanzar una excelencia musical 2. Incluir/integrar socialmente a niños en vulnerabilidad social y/o económica. Dicho estudio parte del punto de partida de que el repertorio sería el organizador e influenciador directo en ambos tanto en el aspecto estético como en el aspecto ético de los proyectos orquestales. Fuimos incentivados a realizar un trabajo de caso a partir del primer contacto con el SOJ, el cual mostró un material novedoso al tratarse de una orquesta sinfónica: la inclusión de música andina que comunica al repertorio de música de concierto con la música tradicional vinculada a la cultura local. El SOJ pertenece al modelo de sistemas orquestales fundado por El Sistema en Venezuela. Sin embargo, hay poca bibliografía que haga un análisis crítico sobre este famoso proyecto, por lo que nos vimos en la necesidad de traerlo y confrontarlo con las informaciones que un trabajo de campo realizado en Jujuy, con el SOJ, proporcionó. Consideramos este trabajo de gran importancia en los estudios interdisciplinares partiendo desde el campo de la música, pues abordamos un lado social, educativo e incluso político de los sistemas orquestales, en auge en la actualidad. También notamos su relevancia en referencia a la historiografía de la orquesta sinfónica que, una vez iniciado este trabajo, notamos que es insuficiente y poco estudiada sea como “instrumento sinfónico” o como “institución”.
This thesis organizes a study of the facets announced as the main objectives of the System of Children's and Youth Orchestras of Venezuela (El Sistema) in contrast to the System of Juvenile and Youth Orchestras of Jujuy (SOJ): 1. Achieve artistic excellence 2 Socially inclusion/integration of children in social and/or economic vulnerability. This study starts from the starting point that the repertoire would be the direct organizer and influencer both in the aesthetic aspect and in the ethical aspect of the orchestral projects. We were encouraged to carry out a case study from the first contact with the SOJ, which showed a new material as it is a symphony orchestra: the inclusion of Andean music that communicates the repertoire of concert music with the music of a traditional music linked to the local culture. The SOJ belongs to the orchestral systems model founded by El Sistema in Venezuela. However, there is little literature that makes a critical analysis on this famous project, so we saw the need to bring it and confront it with the information that a fieldwork carried out in Jujuy, with the SOJ, provided. We consider this work of great importance in the interdisciplinary studies starting from the field of music, because we approach a social, educational and even political side of the orchestral systems, currently booming. We also note its relevance in reference to the historiography of the symphony orchestra that, once this work started, we note that it is insufficient and little studied either as a "symphonic instrument" or as an institution
This thesis organizes a study of the facets announced as the main objectives of the System of Children's and Youth Orchestras of Venezuela (El Sistema) in contrast to the System of Juvenile and Youth Orchestras of Jujuy (SOJ): 1. Achieve artistic excellence 2 Socially inclusion/integration of children in social and/or economic vulnerability. This study starts from the starting point that the repertoire would be the direct organizer and influencer both in the aesthetic aspect and in the ethical aspect of the orchestral projects. We were encouraged to carry out a case study from the first contact with the SOJ, which showed a new material as it is a symphony orchestra: the inclusion of Andean music that communicates the repertoire of concert music with the music of a traditional music linked to the local culture. The SOJ belongs to the orchestral systems model founded by El Sistema in Venezuela. However, there is little literature that makes a critical analysis on this famous project, so we saw the need to bring it and confront it with the information that a fieldwork carried out in Jujuy, with the SOJ, provided. We consider this work of great importance in the interdisciplinary studies starting from the field of music, because we approach a social, educational and even political side of the orchestral systems, currently booming. We also note its relevance in reference to the historiography of the symphony orchestra that, once this work started, we note that it is insufficient and little studied either as a "symphonic instrument" or as an institution
Descrição
Dissertação apresentada ao Programa de Pós-
Graduação Interdisciplinar em Estudos de
América-Latina da Universidade Federal de
Integração Latino-Americana, como requisito
parcial à obtenção do título de Mestra em Estudos
Latino-Americanos.
Orientador: Prof. (Dra.) Analía Chernavsky
Palavras-chave
Sistema de Orquestas Infantiles y Juveniles de Jujuy (SOJ), El Sistema de Orquestas Infantiles y Juveniles de Venezuela – El Sistema, Repertorio Andino, Música de concierto, Exelencia artística, Inclusión social, Coexistencia social, Repertorio de identificación, Repertorio de espectáculo, Orquesta sinfónica
Citação
JARAMILLO ALEMÁN, Viviana Carolina. RRol Estético y Rol Ético del Repertorio en Los Sistemas de Orquestas: el caso del Sistema de Orquestas infantiles y Juveniles de Jujuy - SOJ. 2018. 114 f. Dissertação de Mestrado (Pós-graduação Interdisciplinar em Estudos de América-Latina) - Universidade Federal de Integração Latino-Americana. Foz do Iguaçu, 2018